Showing posts with label edm. Show all posts
Showing posts with label edm. Show all posts



With new album "Akuma 2" NRW Records goes into a deep, dark cellar and pulls out a masterpiece of nocturnal synths and electronic vibes. Once again, ALEX and Tokyo Rose collab to design the perfect retro-electric nightmare! Read more about NRW Records and stream the full album "Akuma 2"today.

Stream "Akuma 2" today:



NRW Records has had music featured in Netflix films/TV shows and major movies, such as Death Note, Family Guy, and the latest Godzilla franchise. Their work has gained praise and recognition from 80s new wave artist Thoman Dolby and Panic! At The Disco’s Brendon Urie. NRW’s mission is to share and spread the Retrowave sound and culture with the world.




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“It’s been a while since I first saw you, something about that kiss...” For those of us who have had tremendous romantic encounters, these words from Chris Knite are a blast down memory lane. “Your pretty smile, girl, I can’t front it; Girl, I reminisce...” By the beam of his star-striking chorus, we are warped into complete recollection of that special someone; and reminded of the very moment each and everyone of us knew we were “Ready For Love”. 

Native and nigh-tropical percussions keep this enamored power at a constant throughout the record. Surely, the beat is flavored by an array of synths, rises, and basslines that assign it Pop perfection; however, these drums are powerful enough by their lonesome to lift your spirit. Lift it high into the atmosphere of this singer’s superb vocals. Through clouds of reverb and autotune, Chris Knite sings with the resplendence of his Sunshine State. As he serenades his unnamed love interest (in a fantastic mixture of English and Spanish), his voice flourishes with a lushness only Jacksonville, Florida could provide; making for an earth-shaking R&B hit. Love is in the air this summer and, thanks to Chris Knite’s latest, it’ll remain that way for the rest of 2019. Singlehandedly, he’ll have us all “Ready For Love”.

“Ready For Love” on Spotify




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From delicate and serene to rhythmic and hysterical, Knarly Jones' new EDM single “Redemption” has peaks and valleys that will electrify you. Enjoy the new banger “Redemption” and read more about Knarly Jones in the press release below.



Knarly Jones is a Detroit-based EDM producer releasing new single “Redemption” on July 12th. “Redemption” is Knarly’s second drop in a series of four releases this summer, preceded by “Atonement” which was released in June. After spending time away from music to study mathematics and physics, Knarly returns to the electronic music scene with a refined cinematic style and a slew of new releases. “Redemption” combines cinematic scoring elements with classic electro-house feel and heavy drops to create a unique sound for 2019.

You can listen to “Redemption” on SoundCloud. Learn more about Knarly on his website knarlyjones.com.


“Redemption” on Soundcloud





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Prepare for a mind-bending musical experience! Oh Well's new EDM album “Forging a False Reality” is packed with emotions, eerie vocals, upper-echelon production, and amazing heart. Press play and enjoy a genre crossing journey that will have you in the groove. Read more in the press release below and stream “Forging a False Reality” on Spotify today.

Oh Well is a one-piece progressive EDM project based in Chicago, Illinois. Their debut project “Forging a False Reality” combines hard-hitting drum & bass beats with orchestral swells to create a unique backdrop for thoughtful lyrics that intrigue the soul. Thick synth leads and bass drops set the tone for pianos, harps, and xylophones to battle it out while tenor vocals poke at and prod at the human condition. "Forging a False Reality" hits Spotify, Apple Music, and most major music platforms on April 1. Listeners can reserve a free copy here. Follow Oh Well on Instagram for updates on new releases.




"Forging a False Reality"




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Despite Ashton Rich’s recent EP, “Sober Enough”, being one of the most thunderous, modern-trap projects of the season, he makes it explicitly clear from the opus’s opener that he does not condone the new wave. “Pretend”, the track in question, is a flagrant dissection of the trendy, stereotypical personas rappers embody today; matchlessly kicking off six-tracks of identically astounding energy. For, Ashton Rich maintains that audacity throughout the entire fifteen minutes that “Sober Enough” runs. Briskly, it is translated into records such as “Problems”, and the ascending anthem “Lemma Know”, which is already soaring with plays. Merging Hip-Hop and R&B alone may be difficult for some. However, on this EP, Ashton Rich makes it an effortless accomplishment. Like a pendulum, he swings between both genres; and as the momentum builds, so does the strength of his records. In many aspects, that is the perfect simile for Ashton Rich, and “Sober Enough” entirely: a pendulum, whose swung has built up enough momentum to be a wrecking ball; ready to smash right through the rap game.



Paired with a quirky, animated video, Georgia star, Milyssa Rose, drops the eccentric “Dick Pic” single. Undoubtedly, the most abstract piece of art you will hear all week, “Dick Pic” is a radical melting pot of sounds. An EDM melody, crushed by a diabolical 808, creates the backbone for the beat Milyssa Rose dominates. Her delivery is a blend of savagely energetic and soulfully wonderful; with certain bars extending into songful melody. There is likewise a colorful persona Milyssa Rose leaps into when on the mic, using her lyrics to paint a picture, and captivating inflection to pull us in. All in all, the track is a ground-breaking contribution to the Atlanta music scene. As incendiary as the track’s purpose may be, its fun-spirited energy is evidence of a Southern femcee breathing creativity and life back into the art of Hip-Hop.




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 Career musician, Papito Red Music drops a 10-track beat tape, "Way of the Freq" packed with riveting, suspenseful music that crosses multiple genres. The Chicago producer shows an expert level of beatmaking in hiphop, trap, electronic, and dance music. Read more in the press release below and follow the growing movement today.
  


 This debut instrumental album is an electronic and trap fusion of different melodic styles Papito Red has developed over time, where the changes of his past living environments are reflected in his sound. This collection offers a variety of trap style flavors and cinematic moods; from aggressive and energetic, to mysterious and atmospheric. An album that can be enjoyed in the car, at the gym and definitely by those creators who probe the rap, video gaming and indie film environs. 


"Way of the Freq"
[Download / Stream]






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 Keyz Vango is on a different level with his alternative R&B visuals "Night". This groove has a extra wavy, eerie, trippy vibe! "Night" is just a taste of the dopeness of Keyz' new project ‘LATE Vol 1’. Peep the press release and fall into the music below!

 Following the release of the single 'NIGHT', the artist/producer Keyz Vango releases his debut EP ‘LATE Vol 1’. Taking his sound in new directions by utilizing dark instrumentation he finds the perfect balance between heartbreak, trap and harmony. This 4-track EP features standout tracks like “Halle”,“SinkLove”, and “Good.”

 "I'm painting a new sound and trying to push the boundaries of R&B, Alternative, Electronic & Hip-Hop fusion. I've always dreamed of being able to mash up all the different genres and sounds I hear in my head and put them into headphones or speakers. This is an introduction to the brand, the sound, and the forever changing wave I'm on and we're all on – life. And life is short af so remember at all times, It's never too "LATE." to wake up your dreams. Don't sleep on them." - Keyz Vango



‘LATE Vol 1’ is available worldwide on all streaming platforms.




"LATE Vol 1" Full EP
[Download/Stream]
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The musical range of genre-bending duo, Nilla Spice, certainly shines through on their newest smash, “Power Up”. Consisting of personas Cad Hollyhood and Tru Tyte, the record is inspired by both Hip-Hop and Electronic music. Unquestionably, there is a trap groove in the track; highlighted by its use of rolling hihats, dribbling kicks, and flavorful 808 claps. The Electronic element is derived from the power in their synths, which blossom irrefutably with color. At fifty seconds there is an awesomely synth-tinged breakdown, where the colors of EDM are vibrant. Soon, however, the energetic rapping of Nilla Spice commences, and you are reintroduced to his diverse flow. From rapid-fire spitting, to powerful chants of the hook, Nilla Spice showcases an undeniable talent for rapping. One that, combined with the track’s production, makes for a wide-reaching banger. 



Whatever crowd Nilla Splice preforms their new single, “Hate On”, for is in for an exhilarating night. They will be possessed by the voluminous rapping; and spurred to rage at their hearts’ content. That is a testament to the power that this Tampa Bay record wields; not only through its magnificent, vocal energy, but likewise its brain-throttling instrumental. To say the least, “Hate On” is musically sophisticated. It is an edgy mesh of various genres; all fusing together to create this radical, unchartered sound. The bounce is undeniably Hip-Hop; yet, the mess of synths buzzing in the foreground are distinctively native to electronic music. Around 25 seconds into the record, a funky, analog bassline slips into the mix, and the entire atmosphere is shifted. The duo allows the joint to breathe during this section, yet eventually, he crashes back into the track; as riotous and rebellious as before. Nilla is enveloped by powerful, wailing guitars during the chorus, where he chants melodiously “Hate On”. It is the model climax to the record; and if ever performed for that aforementioned crowd, will send each person into a craze. It is records like these which carve their own space into the realm of Hip-Hop; and solidify the careers of genre-bending artists. Nilla Splice and his recent banger, “Hate On”, are at the forefront of that promise.


Recent Interview: http://tobtr.com/s/11090453


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There’s a pure, shining spirituality dwelling within Wisconsin singer/producer, Tanner Mitchell Zingsheim’s, recent cut, “V01D”. Under his alias, Spectrum Bender, the Colgate, devout Christian seeks to seal every last one of us in a vacuum of love; doing so through a marriage of poignant proclamation and prismatic production. The lustrous track kicks off with a buttery chord progression; satisfied solely by a recurring kick-drum, and Bender’s gentle croon. It is incredibly minimal in the totality of its glory, before converging into several evolutions of grandiose, pop production. Once upon the hook, “V01D” accelerates its aforementioned kick drum into a progressive, four-to-the-floor rhythm, backed by glittering, electronic percussions. Eventually, these elements transcend into instrumental interludes, where a trotting kick and 808 snare carry a surge of intricate key and synth breakdowns. Near the end of this productive gorgeousness, we are circled back to Bender’s chorus, where he once again breathes “Into the void we welcome love”. 

Verily, this Midwest talent puts God and Christ first; as there is a holy undertone to this entire creation. His attention, and furthermore, appreciation for detail results in a heavenly, pop opus only the heartless could reject. Even as “V01D” goes quiet, at the end of its two minute and twenty-seven seconds of excellence, that won’t be the end of your engagement with Bender. You’ll be dying to explore the rest of his magical catalogue. 
“V01D”[Download] 



Checkout The Spectrum Bender Collection on Soundcloud here: 





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With each and every passing year, Canada proves itself as a force to be reckoned with. It has birthed some of the most prolific and talented mainstream artists, whose crossover has dominated American airways. Singer/rapper, Grand Fisher, is no exception to this paradigm; and with his debut EP, “Real Friends”, he proves just how poised he is to take every dancefloor on the continent by storm. 

The production on this album is grandiose and electric; surging with techno-like basslines and vibrant, pop synths. Coupled with the groove of their pounding, syncopated percussion, even the slightest shuffle to these beats becomes eerily irresistible. Your hips will get away from you; and if you were not at a rave or nightclub already, this chromatic, EDM instrumentation will make you wish you had been. Instead of upstaging his production with brash, overbearing vocals, Fisher bounces beautifully between the foreground and background of the music. When the Ontario artist sings and harmonizes on tracks such as “Better As Friends”, “Boy Bye” and “Ghosted”, his voice, dripping with autotune, is pushed to the zenith of the mix; where it is most powerful and reviving. When he raps on those same tracks, his voice blends flawlessly into his production, and he himself becomes an extension of the very music he's flowing on. All in all, this project is a creative, club-ready debut; and if artists like Drake. Justin Bieber and The Weekend have opened the door for potential Canadian popstars, Grand Fisher will most certainly be stepping through.



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