Showing posts with label indie artist. Show all posts
Showing posts with label indie artist. Show all posts


 Pain. Everyone has had that nasty breakup that sends them over the edge or losing someone you love to death. RnB/Pop singer, Bhadgalrhe knows that feeling all to well and is singing her heart out on new song "The way You Left Me". The scene is shot while the Houston artist is prepping for a big performance. Read more about Bhadgalrhe in her bio and follow her below.

“Just a little bit about me, well I was that small child who loved music who still loves music. I would sing and sing and sing with a hair brush in hand into the mirror as if I was putting on a show in front of millions of people. Even though I struggle with anxiety I am pushing through it to share my complete self and art with you all. I want to do this for the rest of my life forever. I was in a really bad accident in October 2018 where I looked death in the eyes and he left me here. I AM HERE FOR A REASON. A PURPOSE. I am willing to do whatever it takes to accomplish my goal, my dream. Music is my passion. I live, eat, sleep and breathe it. Bhadgalrhe here, nice to meet ya.

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With an epic and timeless sound, multi-genre artist, Moromo delivers new single "Blameless". This is poetry wrapped in trap sticks and ethereal down-tempo vibe music, masterfully produced by FrenchKash. Listen as Moromo cryptically croons about an event that was out of his hands. Follow Moromo's growing movement and read more about the artist on his website.


Mormo Music

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Nothing in this world compares to giving back. For artists and creatives, this extends beyond financial charity and philanthropy. It is committing art to a particular people, positive purpose, or message. Okay, perhaps the first sentence was a lie. There is something better than giving back: seeing a sixteen year old girl do so with a marvelous video, and undeniable gift of rap. That is what Atlanta’s V3locity has done with her new, energetic banger, “Wild Out”. As she mentions herself (and what can be seen in the music video), “Wild Out” is an anthem for the kids. It is a turn-up song that, through V3locity’s saucy lyrics, danceable flow, and high-spirited delivery, gives kids everywhere the freedom to let loose. By the looks of the music video it must certainly be a success. Countless scenes show V3locity, as well as other teens alongside her, “wilding out” to her latest release. They dance freely through the rooms and halls of their high-school as if finally able to express themselves. That is the magic of “Wild Out”. That is what V3locity gives back: freedom and expression to the fellow kids in her community. With a radio-ready record like this at only sixteen? The sky is the limit for the talented V3locity; and we cannot imagine what cloud she’ll land on next.




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Motor Mouth has perfectly placed nostalgia between electronic synths and boom-bap beats. With three minutes and twenty seconds on the clock, this Hawaii-born, former United States Army soldier casts a light on every Hip-Hop legend whose inspired him thus far. That light refracts into “Back In The Day” featuring Marissa Delmonico. The producer, Darren Vegas contributed instrumental brilliance to this record; guiding it in slowly with a progression of atmospheric synths, frosted by Marissa Delmonico’s enchanting adlibs. Motor Mouth enters just as the muddy bass does, rolling along with the loop of Golden Era drums to a story he spits about his Hip-Hop upbringing. From being “on the courts playing ball with the homies blaring Biggie Smalls” to Eminem blowing his mind with every release, our Los Angeles-based artist displays a vivid love for the culture. This love is so pure and gargantuan that only Marissa’s angelic voice can emulate it. She belts a poppy, yet soulful hook for “Back In The Day”; surging with an identical passion to the track’s creator. On this record, Motor Mouth is golden. You may hear a song full of shoutouts and believe paying homage is the reason this Seattle native excels. That is not the case. It is his ability to tell the story of his upbringing , and be himself entirely, that pays this artform the greatest respect. Continue to honor that; and this emcee will be paid back even sooner.




Recent Interview-








Some people travel so much, they become an amalgamation of every place they visit. They journey to a new region and easily assimilate into that culture, amazingly making it their own. East Coast rapper, Ray Reaves is one of those people. After a recent move to Toronto, Canada (likewise attaining permanent residence), the chameleon artist offers us “The Only One”; a passionate bop that is more Toronto than your favorite Toronto act. At the very least, it comes dangerously close. “The Only One” is teeming with melody. In crooning to a special someone, Ray Reaves bares the dint of his melodious soul. Certainly, the track upholds a Hip-Hop bounce: colorful synths backed by pattering trap drums. A verse from the emcee even channels his East Coast heritage: raw with lyrical aggression. However, the atmosphere on “The Only One” is insanely alt-R&B. The same alt-R&B forwarded by the stars of OVO Sound. With this record, Ray Reaves adds his own flavor to the sound of his newfound home. What comes of that is an astounding, radio-hungry banger. Give “The Only One” a play, and you too will be counting down the days until Ray Reaves is Canada’s next heralded star.




Recent Interview-





“The Only One” 


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New York City R&B duo, Majix, is definitely on a mission to dominate both coasts. After a move from their Eastern home to the city of Los Angeles, they have released the titanic “Thirsty”: a piano-driven, R&B banger that sees both singers shine. “Thirsty” borrows elements from both trap and R&B, blending them into a jubilant rush of sounds. With 808s and snares running underneath cinematic progressions, the perfect foundation is laid for the duo’s vocals. And they deliver these impeccably. In a swirl of bliss and soul, Mea and Taylor soar across “Thirsty”. Their spirits are reminiscent of groups such as TLC and SWV; R&B groups who dominated last century. As their modern incarnates, these two are ready to dominate this one. They have the talent, the looks, and with their recent move to the city of dreams, location to make everything come true. Check out the latest single by the breathtaking Majix. We promise, by the end, you will be “Thirsty” for more.




“Thirsty” on Spotify 
Recent Interview-




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 When you carve through all of the hustle and bustle, the speed of Time Square, and business booming down Wall Street, you’ll come to learn that New York City is a party realm at heart. The City That Never Sleeps becomes an oasis of clubs, house parties, and nightlife when the sun finally falls; and upcoming artist, BYND, fully embodies that spirit every time it comes. For, his recent release, “Personv EP”, is six-tracks of riotous, party-packed energy, fitting of the city he calls his own. Bouncing between Miami and New York, has given this “Surf-Rap” star an appetite for creating house-party bangers; all of which, illuminate totally on “Personv EP”. In 15 minutes, BYND unleashes room-shakers, such as “Selfie Luv”, “Ski Masquerade” and “S’pill”, stuffed between three other, titanic records that can equally turn up your venue. Albeit, the East Coast artist forwards a lackadaisical, “stoner”-esque flow, he delivers it with spirited, rowdy resolve. This gives each track on “Personv EP” an edge ideal for live performance; wherein BYND has the power to give his audience the time of their life. Through the speakers of a concert, and on the floor of your local club or function, is where this project will hit the hardest; and lead BYND to being the soundtrack of every New York night to come.


“PERSONV” on Spotify



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New Hampshire is closer to crowning a new star than you may think. As the CEO of Rycore Records, Pockets the Mastermind, dropped his latest “Bad Year” project, he simultaneously proves that there is talent in the East Coast outside of New York. Likewise, that the Manchester-state is on the rise. “Bad Year” is an eight-track opus highlighting the trials and tribulations of Pockets’s 2017. Over a fitting blend of radical, boom-bap to trunk-thumping, energetic trap, Pockets unhinges a monster of lyricism and flow. Not only does he demonstrate the ability to create an enthralling album; but that the songs within it can be just as infectious. “Bad Year” is the ideal album for a riotous, mosh-worthy performance. Let Rycore do its thing, and 2019 will be the exact opposite of his title.


“Bad Year”






It is extremely rare to see veterans link up with up-and-comers; and even rarer that a radio-ready banger comes of that fateful encounter. For your freshest dose of rarity and originality, the lovely Tanya Nolan presents visuals of her Kirko Bangz-assisted hit, “Love Ya”. Clocking in just short of three minutes, this record is a relatable, emotive dive into R&B. However, its sonics are only half of the equation. The other half is fulfilled by pristine scenes of Tanya Nolan, characters, and Kirko Bangz himself. For every strike on an amorous, organ chord; every step of a trap kick, stuttering hi-hat, and snare’s fall, there is a breath-taking shot of the Texan songbird harmonizing through an aching heart. When Bangz enters the video, the Houston power reaches a climax; with the auto-tuned star crooning to and fro in the studio. Truly, “Love Ya” is a cottony, soul-stirring record; wherein, the romantic turmoils of a rising talent and established star combine to manifest a passionate smash. As Tanya Nolan’s first, prominent release of 2019? Her voice will be ringing throughout our minds for many months to come.



“Love Ya” ft. Kirko Bangz 


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Once play is pressed, an electronic buzz, flavored by various, other EDM-esque synths, will slither calmly into the mix. Sixteen seconds in, it will have bubbled to a climax, before dropping into a groove of Golden Age drums. That is when, Oakland, CA rapper, DJ Free Leonard attacks the mic; and “Let’s Get It In” officially takes off. There are zero distractions on this four-minute opus. No exuberant autotuned melodies; no mumbled, street fables; no unnecessary shrieks or shouts. There is only DJ Free Leonard, and a bottomless pit of bars. The West Coast rapper, seasoned by the Young Dirty Bastard (Wu Tang) feature that blesses his hook, is at his utmost philosophical on this record. He dissects various aspects in his life, especially questioning the importance of certain decisions he has made. Most of all, he champions living; devoting whole verses to bestowing wisdom he’s gained through the lessons he has learned. “Let’s Get It In” is a very insightful listen. It is the mark of a man who has come out of the better end of tribulation; and is now ready to devote every waking breath to this music he loves so much.


“Let’s Get It In” on Soundcloud


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“So many times I would try to make this right, make this right!” This may be just the banger to put Oklahoma on the map. A harsh, Tulsa aggression is embedded in both the production and delivery of “Make This Right”; with the city’s own, 3mind Blight, at its devilish helm. Ominous strings, carried by dark brass progressions and gliding 808s create the backbone of this record. Proceeded by the drums, “Make This Right” summons a trap bounce of its own, fit for bumping throughout the Tusla streets. With a beat like this, 3Mind Blight could never resist slaughtering it. He hops onto it in a fever of distorted, menacing voices; switching his flow and dark delivery with every verse he lays. 3Mind Blight’s potential as a lyricist and emcee altogether is unquestionably proven on “Make This Right”. Not only has he elevated his prospect as an artist; but he has likewise given his home of Tusla, Oklahoma a banger to embrace.




"Make This Right"
[Download/Stream]




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Grief comes in many shapes and forms. For Ohio rapper, NotaSlave, it rears its head bearing a fiery track that’ll scathe your January. Straight from Victery Records, is the burning-hot banger, “Fire Within”. Over its vocal-sample melody, dark progression, and astonishing trap percussion, our Dayton emcee releases a torrent of blazing bars. All centering around the abortion of his unborn son. His agony has conglomerated into this sweltering, hellish record; with which he targets the culprit of that misery: his ex-girlfriend. NotaSlave’s lyricism goes about describing events between them excellently; painting the perfect portrait of his pain. Matched with the raw, combativeness of the instrumental, the impact of these Midwest bars becomes undeniable. You will be absorbed into NotaSlave’s trial and tribulation; and by the end of this outrageous smash, you too will feel the “Fire Within”.

A special thanks to Bryant Corbitt for spinning “Fire Within” on Kiss FM!!!


“Fire Within”
[Download/Stream]




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 Keyz Vango is on a different level with his alternative R&B visuals "Night". This groove has a extra wavy, eerie, trippy vibe! "Night" is just a taste of the dopeness of Keyz' new project ‘LATE Vol 1’. Peep the press release and fall into the music below!

 Following the release of the single 'NIGHT', the artist/producer Keyz Vango releases his debut EP ‘LATE Vol 1’. Taking his sound in new directions by utilizing dark instrumentation he finds the perfect balance between heartbreak, trap and harmony. This 4-track EP features standout tracks like “Halle”,“SinkLove”, and “Good.”

 "I'm painting a new sound and trying to push the boundaries of R&B, Alternative, Electronic & Hip-Hop fusion. I've always dreamed of being able to mash up all the different genres and sounds I hear in my head and put them into headphones or speakers. This is an introduction to the brand, the sound, and the forever changing wave I'm on and we're all on – life. And life is short af so remember at all times, It's never too "LATE." to wake up your dreams. Don't sleep on them." - Keyz Vango



‘LATE Vol 1’ is available worldwide on all streaming platforms.




"LATE Vol 1" Full EP
[Download/Stream]
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